“At what precise moment had Peru fucked itself up?” Nobel Prize winning author Mario Vargas Llosa famously asks at the beginning of “Conversation at The Cathedral.” In “Glaxo,” one of the most awaited of Latin American films this year, director Benjamín Naishtat charts what he describes as the whole of Argentina’s loss of innocence, which […]
← Back to news
entertainment
‘Rojo’ Director Benjamín Naishtat on Awaited Toronto, San Sebastián Title ‘Glaxo,’ the Impunity of Power and Connecting via Genre
Log in to like articles and leave feedback.
Log in with Telegram →