“People need stories,” says Larry Lamb, beleaguered editor of leading British tabloid The Sun, at a late point in “Ink,” a propulsive, can’t-look-away account of his simultaneously triumphant and regrettable career zenith. In the film, the year is 1970: His words are half a century ahead of the current prevalence of “storytelling” as a catch-all […]
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‘Ink’ Review: Danny Boyle’s Gripping, Sizzling Film About How a People’s Paper Lost Its Humanity, and Won
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